Bob and I went to the British Museum (or, as our brother-in-law Greg calls it, The Museum of Plunder) on Valentine's Day. Our hotel was across the street from it, so it was just a hop to get there.
I tell you in all embarrassed honesty that I did not anticipate liking the British Museum, simply because I don't think of myself as an "antiquities" girl.
But it was really wonderful, and I would gladly have come back for several days in a row, if we'd had the time, just to look around. They take a very interesting "storytelling" approach to many of the exhibits, so that instead of feeling as if you're standing around looking at a bunch of old stuff, you find yourself becoming so intimately involved in the lives of people who used or made these things, that you end up really caring.
And the building itself is quite stunning. It is open to the light as much as possible, and is expansive.
We spent quite some time in the Enlightenment Room (Room 1), where I had the epiphany that Martha Stewart has probably been there and liked it. That room felt like her magazine. Everything was collected, explained, and cataloged for posterity.
It was very interesting.
We spent the majority of our time at the Ancient Egyptian Book of the Dead exhibit. Again, I was not particularly excited about seeing an Ancient Egyptian Book of the Dead, but I don't think I will ever forget that exhibit. It was absolutely fascinating. (It ran through March 6 and has since been replaced with Afghanistan: Crossroads of the Ancient World.) Again, they used a storyline to draw you through the exhibit and make you care very much about Hunifer and his wife, Nasha, and some other ancient Egyptians. I found myself thinking quite a lot about their respective fates.
The "Book" wasn't a single text. It was a compilation of spells that were designed to guide the deceased through the dangers of the underworld, ultimately ensuring eternal life. The spells were on papyrus and linen. There were also funerary figurines called "shabtis", amulets, jewelry, statues, and coffins in the exhibit. Here is a little video about it if you get curious.
We also spent quite a bit of time looking at Ancient Egyptian, Greek, and Roman sculpture on the first floor.
Here is the Rosetta Stone, and me reflected in it. :)
I liked this sarcophagus.
Here is a marble bust of Alexander the Great from Alexandria around 2 or 1 B.C. Alexander ran his own P.R. campaign pretty tightly. He controlled how he looked in all the representations of him displayed throughout his empire. He only used a few, select painters and sculptors, and they always had to make him look young and clean-shaven, with long hair and this dynamic turn of the head. Alexander was deified in his own lifetime, which is really never a good idea, but goes to show you what a good job he did in making himself seem greater than he really was.
I always think such men start believing their own progaganda about themselves, and half believe they won't actually die. And yet they do.
He reminds me quite a bit of Lord Byron here. Don't cha think?
I think she looks like she is ready to backhand anybody who gets too fresh.
The Parthenon Sculptures (a.k.a. the Elgin Marbles) were quite impressive. They were (as you probably know) sculptures that decorated the Parthenon on the Acropolis in Athens.
There are Parthenon sculptures in several museums in countries around the world, including the Louvre, the Vatican museum, and some others in Austria, Germany, and Denmark. And of course there are also some Parthenon sculptures in Athens, at the New Acropolis Museum.
Greece is kind of angry that all the Parthenon sculptures are not in Greece. They would like to restore the Acropolis, but can't really do it without all the sculptures. On the other hand, the British Museum has this to say:
The British Museum exists to tell the story of cultural achievement throughout the world, from the dawn of human history over two million years ago until the present day. The Museum is a unique resource for the world: the breadth and depth of its collection allows the world public to re-examine cultural identities and explore the complex network of interconnected world cultures. Within the context of this unparalleled collection, the Parthenon sculptures are an important representation of ancient Athenian civilisation.
Each year millions of visitors, free of charge, admire the artistry of the sculptures and gain insights on how ancient Greece influenced, and was influenced by, the other civilisations that it encountered.
The Trustees of the British Museum warmly welcome the opening of the New Acropolis Museum which will allow the Parthenon sculptures that are in Athens to be appreciated against the backdrop of ancient Greek and Athenian history. The new museum, however, does not alter the Trustees’ view that the sculptures are part of everyone’s shared heritage and transcend cultural boundaries. The Trustees remain convinced that the current division allows different and complementary stories to be told about the surviving sculptures, highlighting their significance for world culture and affirming the universal legacy of Ancient Greece.
Do you have opinions on this?
The frieze (a bit is pictured below) ran high up around all four sides of the Parthenon inside the colonnades.
It's really hard to draw horses on paper. I can't imagine carving them out of stone and making them look so fluid and horsey-like.
We wandered around the Museum for five or six hours, and then I pooped out and went back to the hotel to take a nap. Bob stayed another hour or so and went upstairs and saw more neat stuff. I really hope to go and spend more time there. Who knew that I was, after all, an antiquities girl? I just needed to find someone who would explain it well to me. Thanks, British Museum. :)




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